PENTEDATTIO CALABRIA JANUARY 1930 1930 Canvas | MC Escher Canvas | MC Escher Store
PENTEDATTIO CALABRIA JANUARY 1930 1930 Canvas | MC Escher Canvas | MC Escher Store
Pentedattio Calabria January 1930 by M.C. Escher: A Rare Early Landscape
Before M.C. Escher became synonymous with impossible staircases and tessellated visions, he was a young artist captivated by the rugged beauty of Italy. Pentedattio Calabria January 1930 is a striking woodcut from that formative period, showcasing Escher's mastery of light, shadow, and texture. This fine art print captures the eerie silhouette of Pentedattilo, a ghost town in Calabria whose name derives from the Greek pente daktyloi five fingers after the five jagged rock spurs that loom over the village. Escher visited in 1930, and this image reflects his fascination with the interplay of natural forms and architectural decay.
Our museum-quality reproduction is printed on a cotton-polyester canvas (300-350gsm, 350-400 microns) with a subtle texture that enhances the woodcut's intricate details. The canvas is stretched over responsibly sourced FSC-certified wood stretcher bars, 2cm thick, and arrives ready to hang with an included kit. Available in four sizes, each print is made to order, ensuring archival fidelity and vibrant, fade-resistant colors. Whether you're a seasoned collector or new to Escher's early works, this piece offers a window into the artist's development. For more exceptional reproductions, explore our MC Escher canvas prints wall art collection.
- Canvas Material: Cotton-polyester blend, 300-350gsm, FSC-certified wood stretcher bars.
- Thickness: 2cm profile for a substantial, gallery-like presence.
- Sizes: Four options to suit your space.
- Hanging Kit: Included (varies by country).
- Production: Printed and shipped on demand, no minimum order.
Elevate your space with an archival masterpiece that endures. This Pentedattio Calabria January 1930 canvas print is more than décor it's a conversation with art history, curated by MC Escher Store.
You may also like
What is the significance of Pentedattio Calabria in Escher's career?
It's an early woodcut from Escher's Italian period (1930), showcasing his growing mastery of light and texture before he turned to surrealism.
What materials are used in this canvas print?
Our canvas prints use a cotton-polyester blend (300-350gsm, 350-400 microns) stretched over FSC-certified wood bars, ensuring durability and archival quality.
How thick is the canvas print?
The print has a 2cm thickness, giving it a solid, gallery-worthy profile that stands out on any wall.
What sizes are available?
We offer four sizes to fit various spaces, from intimate studies to large statement pieces.
Is a hanging kit included?
Yes, a hanging kit is included with your order, though its specifics may vary by country.
How is the print shipped?
Each canvas is printed and shipped on demand, ensuring freshness and quality, with no minimum order required.
What if my print arrives damaged?
We offer a free return or replacement if the item arrives damaged. Contact us within 30 days for assistance.
Is the canvas texture visible?
Yes, the canvas texture enhances the image's natural look, adding depth and an immersive art experience.
Can I return the print if I change my mind?
We accept returns within 30 days for undamaged items in original packaging, though return shipping may be your responsibility.
How long does shipping take?
Production takes 2-5 business days, and shipping varies by destination. You'll receive tracking information once shipped.
What inspired Escher's Pentedattio Calabria woodcut?
Escher was inspired by the dramatic landscape and abandoned village of Pentedattilo, with its five rock spires, during his 1930 travels in Calabria.
What is the historical context of Pentedattilo?
Pentedattilo is a ghost town in Calabria, Italy, known for its five-fingered rock formation. Escher captured its eerie beauty in January 1930.
How does this work fit into Escher's artistic evolution?
Created during his Italian period, it reflects his transition from landscapes to the tessellations and impossible structures he later became famous for.